![]() ![]() Obviously, if you want to convert the HLG gamma/gamut to Rec.709 you also need to tone map (either automatically or manually) as well. If you only want to change the gamut you should make sure you either select gamut mapping at the project level or use the Gamut Mapping OFX because the Rec.2020 gamut is much larger than the Rec.709 gamut. GH5 V-log - Advance and fast colour correction Watch on This particular method of color correcting V-Log footage suggests utilizing several built-in filters available with Premiere Pro CC. "For HLG and HDR10 I think it is best to use the Rec.2100 definitions. I use the CST plugin exclusively because it offers the best of both worlds. ![]() However, the CST doesn't clip the levels like the LUT does, so it's a more flexible option. " You can also use the Colour Space Transform OFX (CST) plugin to access the Resolve colour management profiles listed above, but on a clip-by-clip basis like the LUT. Paul's LUT has the advantage that it can be used when the project is not color managed in this way, so you can mix and match footage" In this way I am getting quite similar results - I haven't compared color accuracy, etc, but in general both look georgeous. Rec 709 HLG ARIB STD-B67 for Output Color Space Rec 2020 HLG ARIB STD-B67 for Timeline Color Space Rec 2020 HLG ARIB STD-B67 for Input Color Space In Project Settings, under Color Management, Change to Davinci Color Managed In another note, besides Paul's excellent HLG LUT, you can also use HLG natively with Resolve 14 for Rec 709 delivery: "Yes, HLG is available with 6K anamorphic mode. From a previous post from someone here, this is what I use: ![]()
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